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By Akira The Don on Monday, March 25th, 2013


Snoop Dogg’s smooth transition from fist bump to shake

Scientists Invent Self-Healing Computer Chips That Repair Themselves

Grant Morrison on the Death of Robin 

My Chemical Romance break up

Christine Lagarde’s flat raided by French police
IMF chief’s residence searched amid inquiry into her handling of €285m payout to Nicolas Sarkozy supporter Bernard Tapie

UK nuclear power plant#Sellafield is being shut down due to adverse weather “as a precaution”, operators say 

Giorgio Moroder to release 1966-1975 pre-disco compilation called ‘Schlagermoroder’

This Is the Most Detailed Picture of the Internet Ever (and Making it Was Very Illegal)

Robbie Williams has a go at #Suedeand then somewhat bizarrely Kingmaker, Geneva and Adorable amongst others.

UK ISPs Start Blocking KickassTorrents, H33T and Fenopy

A fan of The Smiths? An early recording you’ve probably never heard before. 

Aspiring Rapper Tried To Sacrifice His Friend To Join The Illuminati

Human chromosome much older than previously thought: A newly discovered chromosome places the most recent comm…

Stonehenge started as huge graveyard, say researchers: British researchers have proposed a new theory for the … 

Bee venom may kill HIV: A paper published in the current issue of Antiviral Therapy suggests that bee venom ma… 

DRUNK DUMBASS GETS PUNCHED OUT BY STREET PERFORMER

JAPANESE ‘VAGINA BREAD’ IS A REAL THING

“children are legitimate consumers who have the right to see and hear what advertisers have to say”

Obama agency rules Pepsi’s use of aborted fetal cells in soft drinks constitutes ‘ordinary business operations’

Rainforests Adapting to Global Warming

Silent Circle, The New Encryption App That Is Terrifying The Government

 

— By Akira The Don on Monday, March 25th, 2013

By Akira The Don on Monday, October 22nd, 2012

Brendan O’Neill, writing for Reason.com:

What country has just sentenced a man to eight months in prison for wearing an anti-police t-shirt, and another man to three months in prison for telling an “abhorrent” joke on Facebook? Iran, perhaps? China? No, it’s Britain.

Something has gone horribly wrong in Britain in recent years. The birthplace of John Milton (“Give me the liberty to know, to utter, and to argue freely according to conscience”), and John Stuart Mill (“Every man who says frankly and fully what he thinks is so far doing a public service”), has become a cesspit of censoriousness.

The frequency with which the police and legal system now throw into jail anyone judged to have committed a “speech crime” is alarming.

On October 11, Barry Thew, a 39-year-old man from Manchester, was sentenced to eight months in jail—eight months!—for the crime of wearing a t-shirt that said, “One less pig — perfect justice”.

He donned the t-shirt just a few hours after two police officers were shot dead in Manchester, on September 18. Some members of the public took offence at his flagrantly police-baiting tee, complained to the cops about him, and before you could say “Fuck da police” Thew was being found guilty of committing a Section 4A offence under England’s Public Order laws—that is, he “displayed writing or other visible representation with the intention of causing harassment, alarm or distress.”

On October 8, Matthew Woods, a teenager from Lancashire, was jailed for three months for—get this—writing jokes on his Facebook page.

Currently, a five-year-old Welsh girl called April Jones is missing. Woods decided to make some jokes about this, writing on FB stuff like “Who in their right mind would abduct a ginger kid?” and “I woke up this morning in the back of a transit van with [a beautiful girl] — I found April in a hopeless place.”

Funny? No. Criminal? Apparently, yes. For telling these tasteless jokes to the infinitesimally small number of people who can see his Facebook page, Woods was found guilty under the Communications Act 2003 of sending “a message or other matter that was grossly offensive.”

The judge described Woods’ “crimes” as “abhorrent.” I find the state’s imprisonment of a teenager for telling jokes infinitely more abhorrent than Woods’ sad stab at creating lolz.

These are only the most recent incidents of people being banged up for saying “grossly offensive” things. Last month, Michael Coleman, a member of the right-wing British National Party, was given a suspended eight-month prison sentence and 240 hours of community service for using the word “darkies” on his blog.

He blogged about what he stupidly considers to be “the difference in personality, perceptions and values of people of darker races and ourselves” and said Britain’s current immigration policy amounts to “darkies in, whites out.” For this, for expressing his petty prejudices on a little-read blog, he was found guilty of racially aggravated harassment. The politician who brought the case against him said his crime was to express views that are “not acceptable to the overwhelming majority of local people.”

Social-networking sites are being subjected to the most stringent censorship. In July, a 17-year-old boy was arrested and questioned by police after he sent insulting tweets to British Olympic diver Tom Daley. The 17-year-old was spared jail but was issued with a “harassment warning.” In March, a 21-year-old student called Liam Stacey was sentenced to 56 days in jail for making crude jokes on Twitter about a then very ill footballer called Fabrice Muamba.

Last year, following the summer riots that rocked many English cities, two young men were jailed for four years for setting up a Facebook page called “Smash Down Northwich Town,” a reference to the town in Chester where they lived. The page was all about how cool it would be to have a local riot. No one accepted their invitation to riot, though; there was no “smashing down.” Yet still the two men were convicted of a public order offense, criminalized for being fantasists effectively.

I guess we should just be grateful that The Clash were never banged up for likewise giving voice to riot fantasies in their 1977 hit “White Riot”: “I wanna riot, a riot of my own.”

Now, the Crown Prosecution Service (CPS), the body responsible for prosecuting crimes in England and Wales, is holding a series of meetings to clarify the law on tweetcrimes and FB misdemeanors, and to decide when it is legit, and when it isn’t, to bring criminal charges for trolling or inflammatory speech online.

I can save it a bucketload of time by telling it right now when charges should be brought against web-users for speech-based affrays: Never. Ever.

Speech is either free or it isn’t. And if it is, then that means everyone must have it—not just nice people, but also nasty people; not just the right-on, but also the racist; not just well-educated judges who use their free speech to spout BS about how abhorrent certain jokes are, but also immature tweeters, Facebook saddos, and unpopular bloggers who use their free speech to insult minorities or make bad gags about missing girls.

Granting the state the power to determine what is abhorrent and what is acceptable, which thoughts may be expressed publicly and which may not, is a dangerous game. At the moment, the state might “only” be locking up racist joke-tellers or teenage buffoons, but who knows who else might fall foul of today’s self-styled shapers of public morality. Blasphemers, perhaps? Queen Elizabeth-bashers? Sexist porno makers?

Allowing the state to determine the rightness and acceptability of words and ideas doesn’t only lead to gobsmacking levels of censorious authoritarianism—it also robs us, the public, of our right and our responsibility to work out what is true and to challenge what feels like dross in the arena of public debate. As John Milton put it 350 years ago, “Let Truth and Falsehood grapple; who ever knew Truth put to the worse, in a free and open encounter?”

The most worrying thing in Britain right now is the rise of the idea that individuals may be rightfully harassed and punished by the state if they hold views that are “not acceptable to the overwhelming majority of people,” as was said of the racist blogger.

That’s the end of eccentricity right there, of any element of danger and daring in public discourse. If being unpopular is seen as a sufficient justification for being arrested and put on trial, then who will ever dare put their neck on the line and say controversial, offensive, properly interesting things? The top-down enforcement of thought-policing doesn’t only mean we will see fewer racist ramblings and less teenage stupidity—it also means there’ll be less intellectual risk-taking, and a stifling culture of back-watching conformism.

Besides, society has no right to punish people just because the overwhelming majority of people don’t like what they say, as John Stuart Mill argued decades ago: “If all mankind minus one, were of one opinion, and only one person were of the contrary opinion, mankind would be no more justified in silencing that one person, than he, if he had the power, would be justified in silencing mankind.” Absolutely. Free all Britain’s tweeters, t-shirt wearers, and bloggers now!

— By Akira The Don on Monday, October 22nd, 2012

By Akira The Don on Monday, August 13th, 2012

From ITProportal:

Bad news for those expecting the BitTorrent site Demonoid to somehow spring up from the ashes after last week’s alleged bust. The Demonoid domain names are now officially for sale via Sedo, the final nail in the coffin for the popular site that was taken down via a combined assault from the International Federation of the Phonographic Industry and Interpol.

Inquiries and investigations spanned both the Ukraine and Mexico, arriving in the wake of a distributed denial of service (DDOS) attack that kept Demonoid offline for a week or so prior to authorities going after Demonoid’s hosting and leadership.

“The operation to close Demonoid was a great example of international cooperation to tackle a service that was facilitating the illegal distribution of music on a vast scale. I would like to thank all those officers involved in this operation to close a business that was built on the abuse of other people’s rights,” said IFPI anti-piracy director Jeremy Banks in a statement.

While the site’s only tech admin was hopeful that Demonoid would return in some capacity following the DDOS attack, reports TorrentFreak, it appears that the towel has finally been thrown in on the popular torrent community.

There’s no listed price for just how much the three Demonoid domains are going for: demonoid.me, demonoid.com, and demonoid.ph. The Sedo sale is of the “make an offer” variety, and eight such offers have been submitted as of this article’s writing. Unfortunately, Sedo doesn’t list exactly what these offers are, or even give a ballpark as to what interested buyers are bidding for the domain.

“Selling the domains now while traffic to Demonoid remains high should ensure a good price for the vendor, but it seems unlikely that any buyer would look to relaunch as a torrent site,” writes TorrentFreak’s “enigmax.

It remains to be seen whether individual Demonoid users will be ultimately targeted as a result of the seizures and shutdown. Ukrainian authorities are allegedly in possession of all Demonoid data as a result of their Demonoid investigation, although Demonoid’s ISP, Colocall, claims that no information was ever seized by authorities and that the ISP voluntarily terminated its relationship with Demonoid following an inquiry by Ukraine’s Ministry of Internal Affairs.

Read more here.

— By Akira The Don on Monday, August 13th, 2012

By Akira The Don on Friday, July 20th, 2012

Goddamnit Kim, why’d you have to get The Black Eyes peas to write your song? People will be demanding internet censorship to protect them from this obscenity!

Hmm, maybe that’s the point.

I SMELL A RAT.

DOUBLE CROSS!

— By Akira The Don on Friday, July 20th, 2012

By Akira The Don on Wednesday, June 20th, 2012

Which reminds me, we could do a with a bit of sprucing up around these parts…

 

 

— By Akira The Don on Wednesday, June 20th, 2012

By Akira The Don on Wednesday, June 20th, 2012

Zappa predicts Spotify, etc. back in 1988. From The Real Frank Zappa Book:

Ordinary phonograph record merchandising as it exists today is a stupid process which concerns itself essentially with moving pieces of plastic, wrapped in pieces of cardboard, from one location to another.

These objects, in quantity, are heavy and expensive to ship. The manufacturing process is complicated and crude. Quality control for the stamping of the discs is an exercise in futility. Dissatisfied customers
routinely return records because they are warped and will not play.

New digital technology may eventually solve the warpage problem and provide the consumer with better quality sound in the form of compact discs [CDs]. They are smaller, contain more music and would, presumably, cost less to ship. . . but they are much more expensive to buy and manufacture. To reproduce them, the consumer needs to purchase a
digital device to replace his old hi-fi equipment (in the seven-hundreddollar price range).

The bulk of the promotional effort at every record company today is expended on ‘NEW MATERIAL’ . . . the latest and the greatest of whatever the cocaine-tweezed rug-munchers decide to inflict on everybody this week.
More often than not, these ‘aesthetic decisions’ result in mountains of useless vinyl/cardboard artifacts which cannot be sold at any price, and are therefore returned for disposal and recylcing. These mistakes are
expensive.

Put aside momentarily the current method of operation and think what is being wasted in terms of GREAT CATALOG ITEMS, squeezed out of the marketplace because of limited rack space in retail outlets, and the insatiable desire of quota-conscious company reps to fill every available slot with this week’s new releases.

Every major record company has vaults full of (and perpetual rights to) great recordings by major artists in many categories which might still provide enjoyment to music consumers if they were made available in a
convenient form.

MUSIC CONSUMERS LIKE TO CONSUME MUSIC. . . NOT SPECIFICALLY THE VINYL ARTIFACT WRAPPED IN CARDBOARD.

It is our proposal to take advantage of the positive aspects of a negative trend afflicting the record industry today: home taping of material released on vinyl. First of all, we must realize that the taping of albums is not
necessarily motivated by consumer ‘stinginess.’ If a consumer makes a home tape from a disc, that copy will probably sound better than a commercially manufactured high-speed duplication cassette legitimately released by the company.

We propose to acquire the rights to digitally duplicate THE BEST of every record company’s difficult-to-move Quality Catalog Items [Q.C.I.], store them in a central processing location, and have them accessible by phone or cable TV, directly patchable into the user’s home taping appliances, with the option of direct digital-to-digital transfer to the F-l (SONY consumer-level digital tape encoder), Beta Hi-Fi, or ordinary analog cassette (requiring the installation of a rentable D-A converter in the phone itself. . . the main chip is about twelve dollars).

All accounting for royalty payments, billing to the consumer, etc., would be automatic, built into the software for the system.

The consumer has the option of subscribing to one or more ‘special interest category,’ charged at a monthly rate, WITHOUT REGARD FOR THE QUANTITY OF MUSIC THE CUSTOMER WISHES TO TAPE.

Providing material in such quantity at a reduced cost could actually diminish the desire to duplicate and store it, since it would be available any time day or night.

Monthly listings could be provided by catalog, reducing the on-line storage requirements of the computer. The entire service would be accessed by phone, even if the local reception is via TV cable.

One advantage of the TV cable is: on those channels where nothing ever seems to happen (there’s about seventy of them in L.A.), a visualization of the original cover art, including song lyrics, technical data, etc., could be
displayed while the transmission is in progress, giving the project an electronic whiff of the original point-of-purchase merchandising built into the album when it was ‘an album,’ since there are many consumers
who like to fondle & fetish the packaging while the music is being played.

In this situation, Fondlement & Fetishism Potential [F.F.P.] is supplied, without the cost of shipping tons of cardboard around.

Most of the hardware devices are, even as you read this, available as offthe-shelf items, just waiting to be plugged into each other in order to put an end to the record business as we now know it.

— By Akira The Don on Wednesday, June 20th, 2012