April 2007
Wednesday, April 4th, 2007

The new Dizzee Rascal single, Sirens, is awesome. Think The Prodigy’s Their Law crossed with Slick Rick’s Children’s Story, and you’re in the proverbial ballpark. It is fucking sweet as a nut sweet like Tropicana to hear more proper storytelling from UK cats. The revolution came, as promised. Bizzle’s at it on his new album – one track specifically (produced by ME, haters!) is so visual it should be a movie. Obviously there’s a bunch of it on my new record, but always did that shit. I am a pioneer. A thieving pioneer. Where’s my crown at? HMM?

Haha. Don’t worry. I will get what’s coming to me. The slaps and the daps.

What’s super awesome about the new Dizzee single, for a part-time chaos magician such as my self, is the video. Who’d have thunk Grant Morrison’s reach would be so wide? Following The Matrix, etc. The Invisibles gets jacked again – one of the earlier issues featured a scally scouser being chased around a London estate by Red Coats – and I mean the horse riding, fox hunting, child molesting types, not the Butlins-dwellers. And guess what happens in the Dizzee video? Those same redcoats go to East London’s Bow, in search of a Raskitt! I am totally made up. I wonder if Dizzee’s read The Invisibles. Maybe not. Collective consciousness is a motherfucker.

— Wednesday, April 4th, 2007

Tuesday, April 3rd, 2007

“We are like the spider. We weave our life and then move along in it. We are like the dreamer who dreams and then lives in the dream. This is true for the entire universe.”
David Lynch

I was just trying to read The Independent. I can’t be fucked with newspapers right now, they are like children’s colouring in books, but stupid, but I was reading it anyway, because it was three am or so and the busses aren’t so regular at that time of night. I’d accidentlally left my copy of Ham On Rye at home. I stayed up till just before seven last night – well, this morning – reading that. I couldn’t put it down.

But the girl sat next to me was shouting at the man who kept trying to put his arms around her. He, in broken English, said what he thought were reasuring things, and tried to hold her. She shouted at him. Eventually, he got up, and took a piss in the doorway of MacDonalds. She looked at me in exasperation, and smiled, with a little anger. “When he comes back,” she said, “please tell him not to talk to me.”

I said, “Maybe you should have done that yourself, a long time ago.”

“I work with him,” she said. “He’s fucking Polish. I don’t mind drinking with him, but then he always tries to be all fucking nice to me, look after me, fuck me. He tries to fuck me. He wants to stick his hand in my pants. I’m sick of it.”

“My Grandad was Polish,” I said.

She burst into loud, violent tears.

“MY granddad is dead! Today. He is dead. I have to go to Kent and sort it all out tomorrow.”

She wept. She looked very young.

“What about his children?” I said

“They’ll only care about the estate,” she spat, bitterly. “They don’t give a fuck about him. They’re doing a cutting thing on him! What is it when they cut them?”

I said, “an autopsy?”

“Yes,” she said. “That. He had heart failure, but he never had it before! He died of a broken heart. My Gran died 83 years ago. 83 weeks ago. A broken heart. It is bad that he died. So bad.”

“No,” I said. “It is good. Even if you don’t believe in heaven, they are together now. Mingling in dust forever. They lived. They were in love. It is good.”

“He never got to fuck her,” she said. “She was raped when she was 22. She never let him fuck her. But he loved her. Even when she got alzheimer’s, and would hit him. She called him a prick and fool. She said she didn’t know him. She would hit him with a broom handle. He put her in a home, but he visited her every day. He loved her. He said, ‘we made vows.’ She was his third wife, but he loved her. Now he is dead. It is bad.”

I said, “so it goes. Don’t be sad. Love is always.”

The man came back, wiping his hands on his trousers. He tried to put his arms around her. She screamed at him.

“You Polish prick! My grandfather died!”

“I’m part Polish,” I said.

“I just want the bus to come!” she wailed.

I asked her what bus she was waiting for. It was the same one as me. I lit a cigarette, and she asked for one. I said, “OK.” The man was trying to put his arm around her. She hit him in the face with the back of her hand. He protested, feebly.

“He was a good man,” she said. “He didn’t even hit her much. He was in a war. And she wouldn’t even fuck him”.

The man tried with his arm again. She got up and screamed at the sky.

“Polish prick!”

The bus came.

We got on. I sat at the back, and she sat in front of me.

“Did he get on?” she asked.

I said, “no.”

“I work with him,” she said. “He’s OK for a drink. But then he tries to fuck me. He thinks I need looking after. Where did all the real men go? All men do now is cry.”

I said, “David Beckham cried a lot in ’99. Maybe that gave them the idea.”

“That man is a fucking fag!” She said. “A Polish fag!”

“I’m part Polish,” I said.

She wiped at the corner of her mouth. There was crust on it, and she missed. It stayed there.

“I need a real man,” she said. “Like my granddad. He loved my Gan. He fucking loved her! She wouldn’t even fuck him!”

“Rape is a hell of a thing.” I mused. “Maybe I wouldn’t fuck anybody if someone raped me.”

“What would you know?” she demanded. “What do you know about love?”

I said, “It’s the only thing that matters.”

“I need a cigarette,” she said. She lit half a cigarette. I don’t know where it came from. She got off at the next stop. “What are you looking at, you fag?” she shouted at the man sat adjacent to me.

I got off at the stop afterwards. I took my packet of cigarettes out of my pocket, and lit one. It tasted of cardboard. The didn’t sell Embassy Number One at the club I’d just been in. I didn’t even mean to go there. I watched the new David Lynch film this evening. It freaked me out. Even the actors in it say they didn’t know what it was about. I thought it was obvious. It was about how we see women. And it was about infidelity, and jealousy, as a metaphor for chaos, and control. My friend Chandra has a new club night round the corner from that cinema I was in. I went there afterwards. It was OK. Chandra was making a good go of things. I was proud of her.

— Tuesday, April 3rd, 2007

Sunday, April 1st, 2007

So this week, baby, my favourite band are Muse. This is kind of odd, as I thought I hated Muse. When I first started doing fanzines back in the late nineties, regional press officers sent me loads of copies of the same Muse promo every time one came out. I didn’t like them, because I thought they sounded too much like Radiohead, and I threw the CDs at men in grey track suits from the back seats of moving cars as I tore around the city of London in search of drugs and women, piloted by a gipsy psychopath called Charlie who kept a sawn-off shotgun in his boot.

Yes, those were the days. Now, Muse promo CDs cos eight billion dollars on Ebay, and I couldn’t give two fucks about Radiohead. Muse are everything I want from rock music. How did I not realise?

But the brain is a funny thing. Listening to the Absolution, I realised that I had, in fact, decided I liked Muse seven years ago. Then I forgot, for some reason. What is is, is the first review I ever wrote for PlayLouder was a review of as Muse gig at The Astoria, in that wild June of 2000AD. I dug up the thing, using Google. They were supported by Twist, the singer of whom was an old friend of mine from Birmingham, and Coldplay, the singer of whom was an old classmate of my flatmate Som. I said Twist were “Tad fronted by a pissed-up Shangri-La”, which was true. Of Coldplay, I noted,

“They look like Kwik-fitters, and sound like them too… the set suffers… from sounding more like Elton John’s seventies slop fallout or a particularly sterile Embrace B-Side. Coldplay obviously have huge potential, but messing about with dull AOR ballads is hardly going to win over the spangly teen goblins milling at the front.”

Which was also true. I just hadn’t counted on the early-middle agers at the back, and Gwyneth Paltrow. And, of course, Coldplay went on to write Embrace’s comeback single. How funny is life!

But Muse?

“Muse look like they’re having fun, tearing through their repertoire with all the energy of a band who HAVEN’T been on tour for the best part of two years. Camp as a festival, as extravagant as a Mafia birthday party, Muse take the increasingly popular ‘Showbiz’ LP, dress it up in one of Ziggy’s old jump suits, crank it up, and spit it out. Pth-oo. Oh, and make the whole thing twice as long, and tack a noodle-wank guitar workout in the middle of every single song. Which is where they get irritating. Not content to let the sheer power of his songs work alone, Matt Bellamy finds himself playing a Joe Satriani-esque piece of twattery behind his head during ‘Cave’, pretending to be in Iron Maiden and Speedy Gonzales all at once in ‘Muscle Museum’, and a weird cross between Giddy (sic) Lee, Freddie Mercury and the Duracell Bunny everywhere else.

Contrary bastards that they are though, no sooner have they bored the arse of you with one of their more preposterous funk-jazz-metal work-outs than they play something like ‘Uno’ that makes the hairs stand right up all over your head. Cerrr-UNCH! Cer-OOONCH! SQUUU-AAARGH! Then cue Matt squealing like a pig on fire for far too long, thrillingly.

This is why Muse will win. They’ve got the songs, the ability, the moves and the power. They make young girls damp and grown men dance on tables playing air guitar. And no matter how much noodling, and how preposterous their theatrics are (and this is what Muse are, theatre…), they will come out every time and blow your head off. They trash their gear, surf on their amps and are cocky, clever little pomp-rock bastards.”

And again, I was right. Muse did win. And I came to love the noodly theatrics. And now I am sampling them. Where life will take us, no one knows.

— Sunday, April 1st, 2007

Sunday, April 1st, 2007

NEW ORLEANS, Louisiana (AP)Google’s replacement of post-Hurricane Katrina satellite imagery on its map portal with images of the region before the storm does a “great injustice” to the storm’s victims, a congressional subcommittee said.

The House Committee on Science and Technology’s subcommittee on investigations and oversight on Friday asked Google Inc. Chairman and CEO Eric Schmidt to explain why his company is using the outdated imagery.

“Google’s use of old imagery appears to be doing the victims of Hurricane Katrina a great injustice by airbrushing history,” subcommittee chairman Brad Miller, D-North Carolina, wrote in a letter to Schmidt.

Swapping the post-Katrina images and the ruin they revealed for others showing an idyllic city dumbfounded many locals and even sparked suspicions that the company and civic leaders were conspiring to portray the area’s recovery progressing better than it really is.

Read more

Early Astronomical ‘Computer’ Found to Be Technically Complex

A computer in antiquity would seem to be an anachronism, like Athena ordering takeout on her cellphone.

But a century ago, pieces of a strange mechanism with bronze gears and dials were recovered from an ancient shipwreck off the coast of Greece. Historians of science concluded that this was an instrument that calculated and illustrated astronomical information, particularly phases of the Moon and planetary motions, in the second century B.C.

The instrument, the Antikythera Mechanism, sometimes called the world’s first computer, has now been examined with the latest in high-resolution imaging systems and three-dimensional X-ray tomography. A team of British, Greek and American researchers deciphered inscriptions and reconstructed the gear functions, revealing “an unexpected degree of technical sophistication for the period,” it said.

The researchers, led by the mathematician and filmmaker Tony Freeth and the astronomer Mike G. Edmunds, both of the University of Cardiff, Wales, are reporting their results today in the journal Nature.

They said their findings showed that the inscriptions related to lunar-solar motions, and the gears were a representation of the irregularities of the Moon’s orbital course, as theorized by the astronomer Hipparchos. They established the date of the mechanism at 150-100 B.C.

Read more.

Hey yo, anyone know anything about a rapper from the NO called Ziggy The Wiggler? He used to be on Cash Money. That’s the best rap name I ever heard.

— Sunday, April 1st, 2007